The hero of the story is fathers and children. "Fathers and Sons": characters

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The problem of the relationship between fathers and children is eternal. The reason for it lies in differences in life views... Each generation has its own truth, and it is extremely difficult to understand each other, and sometimes there is no desire. Contrasting worldviews- this is the basis of the work Fathers and Sons, a summary of which we will consider.

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About the work

Creation

The idea of creating the work "Fathers and Sons" arose from the writer Ivan Turgenev in August 1860... The author writes to Countess Lambert about his intention to write a new big story. In the fall he goes to Paris, and in September he writes to Annenkov about the final drawing up a plan and serious intentions to create a novel. But Turgenev works rather slowly and doubts a good result. However, having received an approving opinion from the literary critic Botkin, he plans to complete the creation in the spring.

Early winter - period of active work writer, within three weeks the third part of the work was written. Turgenev asked in letters to describe in detail how things are in the life of Russia. This happened before, and in order to be initiated into the events of the country, Ivan Sergeevich decides to return.

Attention! The history of writing ended on July 20, 1861, when the author was in Spassky. In the fall, Turgenev again went to France. There, during a meeting, he shows his creation to Botkin and Sluchevsky and receives many comments that push him to make changes to the text.

In the spring of next year, the novel is published in the magazine "Russian Bulletin" and he immediately became the object of polemical discussion. The controversy did not subside even after the death of Turgenev.

Genre and number of chapters

If we characterize the genre of the work, then "Fathers and Sons" is 28-chapter novel showing the socio - political situation in the country before the abolition of serfdom.

Main idea

What are we talking about? In his creation "fathers and children" Turgenev describes contradiction and misunderstanding of different generations, and also wants to find a way out of this situation, ways to get rid of the problem.

The struggle between the two camps is a confrontation between everything that is well-established and fundamentally new, era of democrats and aristocrats, or helplessness and determination.

Turgenev tries to show what has come time for a change and instead of people of the outdated system, nobles, active, energetic and young people come. The old system is obsolete, but a new one has not yet been formed... The novel "Fathers and Sons" shows us the borderline of epochs when society is in turmoil and is unable to live neither according to the old canons, nor according to the new ones.

The new generation in the novel is represented by Bazarov, around whom the confrontation of "fathers and children" takes place. He is a representative of a whole galaxy of the younger generation, for whom complete denial of everything has become the norm. Everything old is unacceptable for them, but they cannot bring something new.

Between him and the elder Kirsanov, a conflict of worldviews is vividly shown: the rude and straightforward Bazarov and the mannered and refined Kirsanov. The images described by Turgenev are multifaceted and ambiguous. The attitude to the world does not bring happiness to Bazarov at all. Before society, they were assigned their purpose - struggle with the old foundations but bringing new ideas and views in their place does not bother him.

Turgenev did this for a reason, thereby showing that before the collapse of something established, it is required to find a worthy replacement for this. If there is no alternative, then even what was intended to solve the problem positively will only make it worse.

Generational conflict in the novel "Fathers and Sons".

Heroes of the novel

The main characters in Fathers and Sons are:

Bazarov Evgeny Vasilievich. Young student comprehending the profession of a doctor. Adheres to the ideology of nihilism, calls into question the liberal views of the Kirsanovs and the traditional views of their own parents. At the end of the work, he falls in love with Anna, and his views of denial of everything in the world are changed by love. He will become a rural doctor, due to his own carelessness, he will be infected with typhus and die.
Kirsanov Nikolai Petrovich. Is the father of Arcadia, a widower. Landowner. She lives on the estate with Fenechka, a commoner woman, to whom he feels and is ashamed of this, but then takes her as his wife.
Kirsanov Pavel Petrovich. He is Nikolai's older brother. He retired officer, a representative of the privileged stratum, proud and self-confident, shares the ideas of liberalism. He often participates in disputes with Bazarov on a variety of topics: art, science, love, nature, and so on. Hatred of Bazarov develops into a duel, the initiator of which he himself was. In a duel he is wounded, fortunately the wound will be minor.
Kirsanov Arkady Nikolaevich. Is the son of Nikolai... Candidate of Science at the University. Like his friend Bazarov, he is a nihilist. At the end of the book he will give up his worldview.
Bazarov Vasily Ivanovich. Is the father of the protagonist, was a surgeon in the army. He did not leave medical practice. He lives on the estate of his wife. Educated, he understands that while living in the village, he was cut off from modern ideas. Conservative, religious.
Bazarova Arina Vlasyevna. Is the mother of the protagonist... She owns the Bazarov estate and fifteen serfs. Superstitious, pious, suspicious, sensitive woman. Infinitely loves his son, and worries because he renounced the faith. She herself is a follower of the Orthodox faith.
Odintsova Anna Sergeevna. Is a widow, rich... On his estate he accepts friends with nihilistic views. She likes Bazarov, but after his declaration of love, reciprocity is not observed. In the foreground, he puts a calm life in which there are no worries.
Katerina. Sister of Anna Sergeevna, but unlike her, it is quiet and invisible. He plays the clavichord. Arkady Kirsanov spends a lot of time with her, while he is passionately in love with Anna. Then he realizes that he loves Katerina and marries her.

Other heroes:

Fenechka. The daughter of the housekeeper of Kirsanov's younger brother. After her mother died, she became his mistress and gave birth to a son from him.
Sitnikov Victor. He is a nihilist and an acquaintance of Bazarov.
Kukshina Evdokia. An acquaintance of Victor, a nihilist.
Kolyazin Matvey Ilyich. He is a city official.

The main characters of the novel "Fathers and Sons".

Plot

Fathers and children are summarized below. 1859 - year when the novel begins.

Young people arrived in Maryino and live in the house of brothers Nikolai and Pavel Kirsanov. The elder Kirsanov and Bazarov do not find a common language, and frequent conflict situations force Yevgeny to leave for another city N. Arkady also goes there. There they communicate with urban youth (Sitnikova and Kukshina), who adhere to nihilistic views.

At the governor's ball, they hold acquaintance with Odintsova, and then they go to her estate, Kukshina is destined to stay in the city. Odintsova rejects a declaration of love, and Bazarov has to leave Nikolskoye. He and Arkady go to the parental home and stay there. Eugene does not like the excessive care of his parents, he decides to leave Vasily Ivanovich and Arina Vlasyevna, and

Evgeny Vasilievich Bazarov is a nihilist, student, studying to be a doctor. In nihilism, he is Arkady's mentor, protests against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. Revolutionary democrat, commoner. Towards the end of the novel, he falls in love with Odintsova, betraying his nihilistic views on love. Love turned out to be a test for Bazarov. Dies of blood poisoning at the end of the novel.

Nikolai Petrovich Kirsanov - landowner, liberal, father of Arkady, widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then he marries her.

Pavel Petrovich Kirsanov is Nikolai Petrovich's elder brother, a retired officer, aristocrat, proud, self-confident, ardent adherent of liberalism. Often argues with Bazarov about love, nature, aristocracy, art, science. Lonely. In his youth, he experienced tragic love. He sees Princess R. in Fenechka, with whom he was in love. Hates Bazarov and challenges him to a duel, in which he is slightly wounded in the leg.

Arkady Nikolaevich Kirsanov is a recent graduate of St. Petersburg University and a friend of Bazarov. Becomes a nihilist under the influence of Bazarov, but then abandons these ideas.

Vasily Ivanovich Bazarov - Bazarov's father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life has left him isolated from modern ideas. He adheres to generally conservative views, is religious, loves his son.

Arina Vlasyevna is Bazarov's mother. It is she who owns the village of Bazarovs and 22 souls of serfs. A devout follower of Orthodoxy. Very superstitious. Suspicious and sentimental-sensitive. Loves her son, deeply concerned about his renunciation of the faith.

Anna Sergeevna Odintsova is a wealthy widow who accepts nihilist friends on her estate. Sympathizes with Bazarov, but after his recognition does not reciprocate.

Ekaterina Sergeevna Lokteva - the sister of Anna Sergeevna Odintsova, a quiet girl, imperceptible in the shadow of her sister, plays the clavichord. Arkady spends a lot of time with her, languishing with love for Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

Fenechka is the mother of Nikolai Petrovich's child. Lives with him in the same house. At the end of the work, she marries Nikolai Petrovich.

A source:

Villains, monsters and other fictional creatures from movies, literature, cartoons, myths, legends and comics
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Heroes of the work fathers and children

I.S. Turgenev "Fathers and Sons": description, heroes, analysis of the novel

Turgenev's novel "Fathers and Sons" reveals several problems at once. One reflects the conflict of generations and clearly demonstrates a way to get out of it, while preserving the main thing - the value of the family. The second one demonstrates the processes taking place in the society of that time. Through dialogues and skillfully designed images of heroes, a type of public figure that has just begun to emerge is presented, denying all the foundations of the existing statehood and ridiculing such moral and ethical values as love feelings and sincere attachments.

Ivan Sergeevich himself in the work does not take any of the sides. As an author, he condemns both the nobility and representatives of new social and political movements, clearly showing that the value of life and sincere affections is much higher than rebellion and political passions.

Of all the works of Turgenev, the novel "Fathers and Sons" was the only one written in a short time. Only two years passed from the moment the idea was conceived to the first publication of the manuscript.

The first thoughts of a new story came to the writer in August 1860 during his stay in England on the Isle of Wight. This was facilitated by Turgenev's acquaintance with a provincial young doctor. Fate pushed them in bad weather on an iron road, and under the pressure of circumstances, they talked with Ivan Sergeevich all night. New acquaintances were shown the ideas that the reader could later observe in Bazarov's speeches. The doctor became the prototype for the protagonist.

In the autumn of the same year, upon his return to Paris, Turgenev worked on the plot of the novel and began writing chapters. Within six months, half of the manuscript was ready, and he finished it after his arrival in Russia, in the middle of the summer of 1861.

Until the spring of 1862, while reading his novel to friends and giving the manuscript to the editor of the Russian Bulletin for reading, Turgenev made edits to the work. In March of the same year, the novel was published. This version was slightly different from the edition that came out six months later. In it, Bazarov was presented in a more unsightly light and the image of the protagonist was a little repulsive.

The protagonist of the novel, the nihilist Bazarov, together with the young nobleman Arkady Kirsanov, arrives at the Kirsanovs' estate, where the protagonist meets his comrade's father and uncle.

Pavel Petrovich is a sophisticated aristocrat who absolutely does not like either Bazarov or the ideas and values shown to him. Bazarov also does not remain in debt, and no less actively and passionately, he speaks out against the values and morals of old people.

After that, the young people get acquainted with the recently widowed Anna Odintsova. They both fall in love with her, but temporarily hide it not only from the object of adoration, but also from each other. The main character is ashamed to admit that he, who vehemently opposed romanticism and love affection, now suffers from these feelings.

The young nobleman begins to be jealous of the lady of the heart for Bazarov, misunderstandings occur between friends and, as a result, Bazarov talks about his feelings to Anna. Odintsova prefers a quiet life and a marriage of convenience to him.

Gradually, relations between Bazarov and Arkady deteriorate, and Arkady himself is fond of Anna's younger sister Ekaterina.

Relations between the older generation of the Kirsanovs and Bazarov are heating up, it comes to a duel in which Pavel Petrovich is wounded. This puts a fat point between Arkady and Bazarov, and the main character has to return to his father's house. There he becomes infected with a fatal disease and dies in the arms of his own parents.

In the finale of the novel, Anna Sergeevna Odintsova is getting married of convenience, Arkady and Ekaterina, as well as Fenechka and Nikolai Petrovich, are getting married. They play their weddings on the same day. Uncle Arkady leaves the estate and goes to live abroad.

Bazarov is a medical student, by social status, an ordinary person, the son of a military doctor. He is seriously interested in the natural sciences, shares the beliefs of the nihilists, and denies romantic attachments. He is confident, proud, ironic and derisive. Bazarov does not like to talk a lot.

In addition to love, the main character does not share his admiration for art, he has little faith in medicine, despite the education he is receiving. Not referring to himself as a romantic person, Bazarov loves beautiful women and, at the same time, despises them.

The most interesting moment in the novel is when the hero himself begins to experience those feelings, the existence of which he denied and ridiculed. Turgenev clearly demonstrates an intrapersonal conflict, at a time when a person's feelings and beliefs diverge.

One of the central characters in Turgenev's novel is a young and educated nobleman. He is only 23 years old and barely finished university. Due to his youth and temperament, he is naive and easily falls under the influence of Bazarov. Outwardly, he shares the beliefs of the nihilists, but in his soul, and further in the plot it is evident, he appears as a generous, gentle and very sentimental young man. Over time, the hero himself understands this.

Unlike Bazarov, Arkady loves to talk a lot and beautifully, he is emotional, cheerful and values affection. He believes in marriage. Despite the conflict between fathers and children shown at the beginning of the novel, Arkady loves both his uncle and his father.

Odintsova Anna Sergeevna is an early widowed rich person who at one time got married not for love, but for calculation, in order to save herself from poverty. One of the main heroines of the novel loves peace and her own independence. She never loved anyone and was not attached to anyone.

For the main characters, she looks beautiful and inaccessible, because she does not reciprocate with anyone. Even after the death of the hero, she remarries, and again by calculation.

The younger sister of the widow Odintsova, Katya, is very young. She is only 20 years old. Catherine is one of the loveliest and lovable characters in the novel. She is kind, sociable, observant and at the same time demonstrates independence and obstinacy, which only paint a young lady. She comes from a family of poor nobles. Her parents died when she was only 12 years old. Since then, she has been raised by her older sister Anna. Catherine is afraid of her and under the gaze of Madame Odintsova feels awkward.

The girl loves nature, thinks a lot, she is direct and not flirtatious.

Arkady's father (brother of Pavel Petrovich Kirsanov). Widower. He is 44 years old, he is a completely harmless person and an undemanding owner. He is gentle, kind, attached to his son. He is a romantic by nature, he likes music, nature, poetry. Nikolai Petrovich loves a quiet, calm, measured life in the countryside.

At one time he married for love and lived happily in marriage until his wife died. For many years he could not recover after the death of his beloved, but over the years he found love again and Fenechka, a simple and poor girl, became her.

Refined aristocrat, 45 years old, uncle of Arkady. At one time he served as an officer of the Guard, but because of Princess R., his life changed. A secular lion in the past, a heartthrob who easily won the love of women. All his life he built in the English style, read newspapers in a foreign language, did business and everyday life.

Kirsanov is a clear adherent of liberal views and a man with principles. He is cocky, proud and derisive. Love at one time knocked him down, and from a lover of noisy companies, he became an ardent misanthrope who avoided the company of people in every way. At heart, the hero is unhappy and at the end of the novel he is far from his loved ones.

The main plot of the now classic novel by Turgenev is the conflict between Bazarov and society, in which he found himself by the will of fate. A society that does not support his views and ideals.

The appearance of the protagonist in the Kirsanovs' house becomes a conditional plot of the plot. In the course of communication with other characters, conflicts and clashes of views are demonstrated, which test Evgeny's convictions for endurance. This also happens within the framework of the main love line - in the relationship between Bazarov and Odintsova.

Opposition is the main technique that the author used when writing the novel. It is reflected not only in its title and demonstrated in the conflict, but also reflected in the repetition of the protagonist's route. Bazarov twice ends up in the Kirsanovs 'estate, twice visits Madame Odintsova, and also returns twice to his parents' house.

The plot's denouement is the death of the protagonist, with which the writer wanted to demonstrate the collapse of the thoughts expressed by the hero throughout the novel.

In his work, Turgenev clearly showed that in the cycle of all ideologies and political disputes there is a big, complex and diverse life, where traditional values, nature, art, love and sincere, deep affections always prevail.

A source:
Heroes of the work fathers and children
Analysis of the novel by I.S. Turgenev "Fathers and Sons" with a description of the main characters and characters
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Summary "Fathers and Sons"

Turgenev's novel "Fathers and Sons" was written in 1861. He was immediately destined to become a symbol of the era. The author especially clearly expressed the problem of the relationship between two generations.

To understand the plot of the work, we suggest reading "Fathers and Sons" in a summary of the chapters. The retelling was performed by a teacher of Russian literature, it reflects all the important points of the work.

Average reading time is 8 minutes.

Evgeny Bazarov- a young man, a medical student, a bright representative of nihilism, a trend when a person denies everything in the world.

Arkady Kirsanov- a recent student who came to the estate of his parents. Under the influence of Bazarov, he is fond of nihilism. At the end of the novel, he realizes that he cannot live like this and abandons the idea.

Kirsanov Nikolay Petrovich- landowner, widower, father of Arkady. Lives on an estate with Fenechka, who bore him a son. He adheres to advanced ideas, loves poetry and music.

Kirsanov Pavel Petrovich- an aristocrat, a former military man. Brother of Nikolai Kirsanov and uncle Arkady. A prominent representative of the liberals.

Vasily Bazarov- retired army surgeon, father of Eugene. Lives on his wife's estate, is not rich. Engaged in medical practice.

Bazarova Arina Vlasyevna- Eugene's mother, a devout and very superstitious woman. Little educated.

Odintsova Anna Sergeevna- a rich widow who sympathizes with Bazarov. But he values calmness in his life more.

Lokteva Katya- Anna Sergeevna's sister, a modest and quiet girl. Marries Arkady.

Fenechka- a young woman who has a little son from Nikolai Kirsanov.

Victor Sitnikov- an acquaintance of Arkady and Bazarov.

Evdokia Kukshina- Sitnikov's acquaintance, who shares the beliefs of the nihilists.

Matvey Kolyazin- city official

The action begins in the spring of 1859. At the inn, the small landowner Nikolai Petrovich Kirsanov is awaiting the arrival of his son. He is a widower, lives on a small estate and has 200 souls. In his youth, he was promised a career in the military, but a small leg injury prevented him. He studied at the university, got married and began to live in the village. 10 years after the birth of his son, his wife dies, and Nikolai Petrovich goes headlong into the economy and raising his son. When Arkady grew up, his father sent him to St. Petersburg to study. There he lived with him for three years and again returned to his village. He is very worried before the meeting, especially since the son is not traveling alone.

Arkady introduces his father to a friend and asks him not to stand on ceremony with him. Eugene is a simple person, and you can not be ashamed of him. Bazarov decides to ride in a tarantass, and Nikolai Petrovich and Arkady sit in a carriage.

During the journey, the father cannot calm down his joy from meeting his son, all the time he tries to hug him, asks about his friend. Arkady is a little shy. He tries to show his indifference and speaks in a cheeky tone. He always turns to Bazarov, as if afraid that he will hear his reflections on the beauty of nature, that he is interested in affairs on the estate.

Nikolai Petrovich says that the estate has not changed. Stammering a little, he informs his son that the girl Fenya lives with him, and immediately rushes to say that she can leave if Arkady wants it. The son replies that this is not necessary. Both feel uncomfortable and change the subject.

Looking at the desolation that reigned around, Arkady thinks about the benefits of transformations, but he does not understand how to implement them. The conversation flows smoothly into the beauty of nature. Kirsanov Sr. is trying to recite a poem by Pushkin. He is interrupted by Eugene, who asks Arkady to light a cigarette. Nikolai Petrovich falls silent and is silent until the end of the journey.

No one met them at the manor house, only an old servant and a girl who appeared for a moment. Leaving the carriage, the elder Kirsanov leads the guests into the living room, where he asks the servant to serve dinner. At the door, they encounter a handsome and very well-groomed elderly man. This is the elder brother of Nikolai Kirsanov, Pavel Petrovich. His impeccable appearance stands out strongly against the background of the unkempt-looking Bazarov. An acquaintance took place, after which the young people went to put themselves in order before dinner. Pavel Petrovich, in their absence, begins to ask his brother about Bazarov, whose appearance he did not like.

During the meal, the conversation did not go well. Everyone spoke little, especially Eugene. After eating, everyone immediately went to their rooms. Bazarov told Arkady his impressions of the meeting with his relatives. They quickly fell asleep. The Kirsanov brothers did not sleep for a long time: Nikolai Petrovich kept thinking about his son, Pavel Petrovich looked thoughtfully at the fire, and Fenechka looked at her little sleeping son, whose father was Nikolai Kirsanov. The summary of the novel "Fathers and Sons" does not convey all the feelings that the heroes experience.

Waking up before everyone else, Eugene goes for a walk to explore the surroundings. The boys follow him and all go to the swamp to catch frogs.

The Kirsanovs are going to drink tea on the veranda. Arkady goes to the said sick Fenechka, learns about the existence of his little brother. He rejoices and blames his father for hiding the fact of the birth of another son. Nikolai Kirsanov is moved and does not know what to answer.

The senior Kirsanovs are interested in the absence of Bazarov and Arkady talks about him, says that he is a nihilist, a person who does not take principles for granted. Bazarov returned with the frogs, which he carried to the experiment room.

During joint morning tea, a serious dispute flares up in the company between Pavel Petrovich and Eugene. Both do not try to hide their dislike for each other. Nikolai Kirsanov tries to turn the conversation into another direction and asks Bazarov to help him with the choice of fertilizers. He agrees.

In order to somehow change Eugene's ridicule about Pavel Petrovich, Arkady decides to tell his friend his story.

Pavel Petrovich was a military man. Women adored him, and men envied him. At 28, his career was just beginning, and he could go far. But Kirsanov fell in love with a princess. She had no children, but had an old husband. She led the life of a windy coquette, but Pavel fell deeply in love and could not live without her. After parting, he suffered a lot, quit the service and for 4 years traveled for her all over the world.

Returning to his homeland, he tried to lead the same lifestyle as before, but upon learning of the death of his beloved, he left for the village to his brother, who at that time became a widower.

Pavel Petrovich does not know what to do with himself: he is present at the conversation between the manager and Nikolai Kirsanov, he goes to Fenechka to look at little Mitya.

The story of the acquaintance of Nikolai Kirsanov and Fenichka: three years ago he met her at a tavern, where things were going badly for her and her mother. Kirsanov took them to the estate, fell in love with the girl, and after the death of her mother began to live with her.

Bazarov meets Fenechka and the child, says that he is a doctor, and if the need arises, they can contact him without hesitation. Hearing Nikolai Kirsanov playing the cello, Bazarov laughs, which causes Arkady's disapproval.

For two weeks everyone got used to Bazarov, but they treated him differently: the servants loved him, Pavel Kirsanov hated him, and Nikolai Petrovich doubted his influence on his son. One day, he overheard a conversation between Arkady and Eugene. Bazarov called him a retired person, which greatly offended him. Nikolai complained to his brother, who decided to rebuff the young nihilist.

An unpleasant conversation took place during the evening tea. Having called one landowner "rubbish aristocrat", Bazarov displeased the elder Kirsanov, who began to assert that following the principles, a person benefits society. Eugene, in response, accused him of living meaninglessly, like other aristocrats. Pavel Petrovich objected that the nihilists, by their denial, only aggravate the situation in Russia.

A serious dispute broke out, which Bazarov called senseless and the young people left. Nikolai Petrovich suddenly remembered how a long time ago, being just as young, he quarreled with his mother, who did not understand him. Now the same misunderstanding arose between him and his son. The parallel between fathers and children is the main thing that the author pays attention to.

Before going to bed, all the inhabitants of the estate were busy with their thoughts. Nikolai Petrovich Kirsanov goes to his favorite gazebo, where he remembers his wife and reflects on life. Pavel Petrovich looks into the night sky and thinks about his own. Bazarov invites Arkady to go to the city and visit an old friend.

The friends left for the city, where they spent time in the company of Matvey Ilyin, a friend of the Bazarov family, visited the governor and received an invitation to the ball. Bazarov's longtime acquaintance Sitnikov invited them to visit Evdokia Kukshina.

They did not like visiting Kukshina, since the hostess looked untidy, had meaningless conversations, asked a bunch of questions, but did not expect answers. In conversation, she constantly jumped from subject to subject. During this visit, the name of Odintsova Anna Sergeevna was first heard.

Arriving at the ball, friends meet Madame Odintsova, a sweet and attractive woman. She shows attention to Arkady, asking him about everything. He talks about his friend and Anna Sergeevna invites them to visit.

Odintsova interested Eugene in her dissimilarity from other women, and he agreed to visit her.

Friends come to visit Odintsova. The meeting made an impression on Bazarov and he, unexpectedly, was embarrassed.

Odintsova's story makes an impression on the reader. The girl's father lost and died in the village, leaving the ruined estate to the two daughters. Anna was not at a loss and took up the household. I met my future husband and lived with him for 6 years. Then he died, leaving his fortune to his young wife. She did not like urban society and most often lived on the estate.

Bazarov did not behave as usual, which greatly surprised his friend. He talked a lot, talked about medicine, botany. Anna Sergeevna willingly kept up the conversation, as she was versed in the sciences. She treated Arkady as a younger brother. At the end of the conversation, she invited the young people to her estate.

In Nikolskoye, Arkady and Bazarov met other inhabitants. Anna's sister Katya was shy and played the piano. Anna Sergeevna talked a lot with Yevgeny, walked with him in the garden. Arkady, who liked her, seeing her infatuation with a friend, was a little jealous. A feeling arose between Bazarov and Odintsova.

While living on the estate, Bazarov began to change. He fell in love, despite the fact that he considered this feeling a romantic bileberd. He could not turn his back on her and imagined her in his arms. The feeling was mutual, but they did not want to open up to each other.

Bazarov meets the manager of his father, who says that his parents are waiting for him, they are worried. Eugene announces his departure. In the evening, a conversation takes place between Bazar and Anna Sergeevna, where they try to understand what each of them dreams of getting out of life.

Bazarov confesses his love to Odintsova. In response, he hears: "You did not understand me," and feels extremely uncomfortable. Anna Sergeevna believes that without Eugene she will be calmer and does not accept his confession. Bazarov decides to leave.

There was a not entirely pleasant conversation between Madame Odintsov and Bazarov. He told her that he was leaving, he could stay only on one condition, but it was impossible and Anna Sergeevna would never love him.

The next day Arkady and Bazarov leave for Evgeny's parents. Saying goodbye, Odintsova expresses hope for a meeting. Arkady notices that his friend has changed a lot.

In the house of the elders Bazarovs they were well received. The parents were very happy, but knowing that their son did not approve of such a manifestation of feelings, they tried to keep more restrained. During dinner, the father talked about how he was doing the household, and the mother only looked at her son.

After dinner, Eugene refused to talk to his father, citing fatigue. However, he did not fall asleep until morning. Fathers and Sons does a better job of portraying intergenerational relationships than other works.

Bazarov spent very little time in his parents' house, as he was bored. He believed that with their attention they interfere with his work. There was an argument between friends, which almost turned into a quarrel. Arkady tried to prove that it was impossible to live like that, Bazarov did not agree with his opinion.

Parents, having learned about Evgeny's decision to leave, were very upset, but tried not to show their feelings, especially his father. He reassured his son that since he had to leave, then he had to do it. After leaving, the parents were left alone and were very worried that their son had abandoned them.

On the way, Arkady decided to turn into Nikolskoye. The friends were greeted very coldly. Anna Sergeevna did not go down for a long time, and when she appeared, she had a displeased expression on her face and it was clear from her speech that they were not welcome.

In the estate of the Kirsan elders, they were delighted. Bazarov began to deal with wholesalers and his own frogs. Arkady helped his father in managing the estate, but he constantly thought about the Odintsovs. Finally, having found correspondence between his mothers and Madame Odintsova, he finds an excuse to visit them. Arkady is afraid that they will not welcome him, but one of them was greeted warmly and cordially.

Bazarov understands the reason for Arkady's departure and is completely devoted to work. He retires and no longer argues with the inhabitants of the house. He treats everyone badly, making an exception only for Fenichka.

Once in the gazebo they talked a lot, and, deciding to check his thoughts, Bazarov kissed her on the lips. This was seen by Pavel Petrovich, who silently went into the house. Bazarov felt uneasy, his conscience awoke.

Pavel Petrovich Kirsanov is offended by Bazarov's behavior and challenges him to a duel. They do not want to confess their true reasons to the family and say that they fought because of political differences. Evgeny wounds Kirsanov in the leg.

Having completely ruined his relationship with the Kirsanov elders, Bazarov leaves for his parents, but on the way turns to Nikolskoye.

Arkady is more and more interested in Anna Sergeevna's sister, Katya.

Katya talks with Arkady and convinces him that without the influence of a friend he is completely different, sweet and kind. They try to declare their love to each other, but Arkady gets scared and hurries away. In his room, he finds Bazarov who has arrived, who told him about what happened in Maryino in his absence. Having met with Madame Odintsova, Bazarov admits his mistakes. They tell each other that they want to be just friends.

Arkady confesses his love to Katya, asks for her hand in marriage, and she agrees to become his wife. Bazarov says goodbye to his friend, viciously accusing him of not being suitable for decisive matters. Eugene leaves for his parents' estate.

Living in his parents' house, Bazarov does not know what to do. Then he begins to help his father, heals the sick. Opening a peasant who died of typhus, he accidentally wounds himself and becomes infected with typhus. A fever sets in, he asks to send for Madame Odintsova. Anna Sergeevna arrives and sees a completely different person. Before his death, Eugene tells her about his real feelings, and then dies.

Six months have passed. Two weddings took place in one day, Arkady with Katya and Nikolai Petrovich with Fenya. Pavel Petrovich went abroad. Anna Sergeevna also got married, becoming a companion not out of love, but out of conviction.

Life went on and only two old people constantly spent time at the grave of their son, where two Christmas trees grew.

This short retelling of "Fathers and Sons" will help to understand the main idea and essence of the work, for deeper knowledge we recommend that you familiarize yourself with the full version.

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In the novel "Fathers and Sons" the characters are very diverse and interesting in their own way. This article provides a brief description of each of them. Until now, the novel "Fathers and Sons" does not lose its relevance. The characters in this work, as well as the problems raised by the author, are interesting in any historical period.

Bazarov Evgeny Vasilievich

The main character of the novel is Evgeny Vasilievich Bazarov. The reader knows little about him at first. We know that this is a medical student who came to the village for the holidays. The story of the time he spent outside the walls of the educational institution constitutes the plot of the work. First, the student visits the family of Arkady Kirsanov, his friend, and then goes with him to the provincial town. Here Evgeny Bazarov makes acquaintance with Odintsova Anna Sergeevna, for some time he lives with her in the estate, but after an unsuccessful explanation he is forced to leave. Further, the hero finds himself in the parental home. He does not live here for long, as longing makes him repeat the route just described. It turns out that Eugene from the novel "Fathers and Sons" cannot be happy anywhere. The characters in the work are alien to him. The hero cannot find a place for himself in Russian reality. He returns home. Where the hero of the novel "Fathers and Sons" dies.

The characters we are describing are curious from the point of view of the refraction of the era in their characters. In Eugene, perhaps the most interesting is his "nihilism". For him, this is a whole philosophy. This hero is the spokesman for the moods and ideas of revolutionary youth. Bazarov denies everything, does not recognize any authorities. Such aspects of life as love, the beauty of nature, music, poetry, family ties, philosophical thinking, altruistic feelings are alien to him. The hero does not recognize duty, right, duty.

Evgeny easily wins in disputes with Pavel Petrovich Kirsanov, a moderate liberal. On the side of this hero is not only youth and novelty of the position. The author sees that "nihilism" is associated with popular discontent and social disorder. It expresses the spirit of the times. The hero experiences the melancholy of loneliness, tragic love. It is found that he is dependent on the laws of ordinary human life, involved in human suffering, worries and interests, like other characters.

Turgenev's Fathers and Sons is a novel in which different worldviews collide. From this point of view, Eugene's father is also interesting. We invite you to get to know him better.

Vasily Bazarov

This hero is a representative of the patriarchal world, which is becoming a thing of the past. Turgenev, reminding us of him, makes readers feel the drama of the movement of history. Vasily Ivanovich - retired head physician. By origin, he is a commoner. This hero builds his life in the spirit of educational ideals. Vasily Bazarov lives selflessly and independently. He works, is interested in social and scientific progress. However, an insurmountable chasm lies between him and the next generation, which brings a deep drama into his life. Father's love does not find a response, it turns into a source of suffering.

Arina Vlasyevna Bazarova

Arina Vlasyevna Bazarova - Evgeny's mother. The author notes that this is a "real Russian noblewoman" of bygone times. Her life and consciousness are subject to the norms set by tradition. Such a human type has its own charm, but the era to which he belongs has already passed. The author shows that such people will not live their lives in peace. The heroine's mental life includes suffering, fear and anxiety due to her relationship with her son.

Arkady Nikolaevich Kirsanov

Arkady Nikolaevich is Evgeny's friend, his student in the novel "Fathers and Sons". The main characters in the work are in many ways contrasting. So, unlike Bazarov, the influence of the era in the position of Arkady is combined with the influence of the usual properties of a young age. His enthusiasm for the new teaching is rather superficial. Kirsanov is attracted to "nihilism" by his capabilities, which are valuable for a person who is just entering life - independence from authorities and traditions, a sense of freedom, the right to impudence and self-confidence. However, Arkady also has qualities that are far from "nihilistic" principles: he is ingeniously simple, good-natured, tied to traditional life.

Nikolay Petrovich Kirsanov

Nikolai Petrovich in Turgenev's novel is the father of Arkady. This is already a middle-aged man who has experienced many misfortunes, but they are his. The hero has romantic inclinations and tastes. He works, tries to transform his economy in the spirit of the times, looks for love and spiritual support. The author describes the character of this hero with obvious sympathy. He is a weak, but empathetic, kind, noble and delicate person. In relation to young people, Nikolai Petrovich is benevolent and loyal.

Pavel Petrovich Kirsanov

Pavel Petrovich is Arkady's uncle, an Anglomaniac, an aristocrat, a moderate liberal. In the novel, he is the antagonist of Eugene. The author endowed this hero with a spectacular biography: secular successes and a brilliant career were interrupted by tragic love. With Pavel Petrovich after that there was a substitution. He gives up hopes for personal happiness, and also does not want to fulfill civic and moral duties. Pavel Petrovich moves to the village where other characters in the work "Fathers and Sons" also live. He intends to help his brother in the transformation of the economy. The hero stands for liberal government reforms. Arguing with Bazarov, he defends a program that is based on noble and noble ideas in its own way. "Western" ideas of individual rights, honor, self-respect, dignity are combined in it with the "Slavophil" idea of the role and the agricultural community. Turgenev believes that the ideas of Pavel Petrovich are far from reality. This is an unhappy and lonely person with a failed destiny and unfulfilled aspirations.

No less interesting are the other characters, one of whom is Anna Sergeevna Odintsova. It is certainly worth telling about it in detail.

Anna Sergeevna Odintsova

This is an aristocrat, a beauty with whom Bazarov is in love. It shows the features inherent in the new generation of nobles - freedom of judgment, the absence of class arrogance, democracy. Bazarov, however, everything in her is alien, even the features that are characteristic of himself. Odintsova is independent, proud, smart, but completely different from the main character. However, this chaste, proud, cold aristocrat needs Eugene as she is. Her calmness attracts and excites him. Bazarov understands that behind him is an inability to hobbies, selfishness, indifference. However, in this he finds a kind of perfection and succumbs to his charm. This love becomes tragic for Eugene. Odintsova, on the other hand, easily copes with her feelings. She is getting married "out of conviction," not out of love.

Katia

Katya is the younger sister of Anna Sergeevna Odintsova. At first she seems to be just a shy and sweet young lady. However, she gradually shows spiritual strength and independence. The girl is freed from the power of her sister. She helps Arkady to overthrow Bazarov's power over him. Katya in Turgenev's novel embodies the beauty and truth of the ordinary.

Kukshina Evdoksiya (Avdotya) Nikitishna

The characters in Fathers and Sons include two pseudo-nihilists, whose images are parodic. This is Evdoksia Kukshina and Sitnikov. Kukshina is an emancipated woman who is distinguished by extreme radicalism. In particular, she is interested in the natural sciences and the "women's question", despises for "backwardness" even This woman is vulgar, cheeky, frankly stupid. However, sometimes there is also something human in it. "Nihilism", perhaps, hides a feeling of oppression, the source of which is the female inferiority of this heroine (she is abandoned by her husband, does not attract the attention of men, is ugly).

Sitnikov ("Fathers and Sons")

How many characters have you counted so far? We talked about nine heroes. Another one should be introduced. Sitnikov is a pseudo-nihilist who considers himself a "disciple" of Bazarov. He seeks to demonstrate the harshness of judgment and freedom of action characteristic of Eugene. However, this similarity turns out to be a parody. "Nihilism" is understood by Sitnikov as a way to overcome complexes. This hero is ashamed, for example, of his father-tax-farmer, who got rich by getting the people drunk. At the same time, Sitnikov is also burdened by his own insignificance.

These are the main characters. "Fathers and Sons" is a novel in which a whole gallery of bright and interesting images has been created. It is definitely worth reading in the original.

Evgeny Bazarov	Anna Odintsova	Pavel Kirsanov	Nikolay Kirsanov
Appearance	An elongated face, a wide forehead, huge greenish eyes, a nose that is flat on top and pointed below. Blond long hair, sand-colored sideburns, a self-confident smile on thin lips. Naked red hands	Noble posture, slender stature, tall stature, beautiful sloping shoulders. Light eyes, shiny hair, a faint smile. 28 years	Medium height, thoroughbred, 45 years old. Fashionable, youthful slim and graceful. Gray hair with a dark sheen cut short. The bile face is of the correct shape, without wrinkles. Remarkably handsome, black eyes.	Plump, slightly hunched over, a little over 40 years old. Soft liquid gray hair, small sad black eyes
Origin	The son of a military doctor with peasant roots. Raznochinets	Aristocrat. Father is a swindler and a gambler. Mother - from a princely family	Nobleman, aristocrat, officer's son
Upbringing	Homemade, free	Brilliant education received in St. Petersburg	Homemade, and then in the page building
Education	Student of St. Petersburg University, Faculty of Medicine	–	Military service	Petersburg University
Traits	Kind and empathetic, willing to seem like an indifferent cynic. Sharp and adamant in judgment. A hard worker, self-confident, energetic, courageous. Loves people, but in his own way, is independent, does not differ in politeness, sometimes behaves defiantly	Smart, proud, free in judgment, judicious. Incapable of hobbies, indifferent, selfish, cold	Proud, self-confident, impeccably honest. Intellectual, shrewd, noble, principled. The British admire him. Strong-willed character	A thin person. Aesthetic, romantic, dreamy and sentimental, naive. An idealist, overly modest and complacent. Weak-willed, impractical, but kind, hospitable, loving his family
Socio-political views	Nihilist Democrat (denies everything except science)	Democratic	Liberal Conservative	Liberal
Life goals	Nihilists did not accept “doing nothing,” they strove for activity. The main goals of young people are to expose and destroy, someone else had to be engaged in building a new world in a cleared place.	He wants to fall in love with Bazarov, but cannot. She values the state of comfort very much, she is afraid of losing her inner harmony, so the heroine is not ready to surrender to her feelings. The human essence is such that it simply cannot exist without love. In the absence of love, the life purpose disappears, the person gets tired early and grows old from grief	Aristocrats are the main force influencing the development of society. "English liberty" or constitutional monarchy is the ideal of the aristocracy. Progress, Glasnost and Reform - Ways to Achieve the Ideal	The hero is trying to establish new relationships with serfs, looking for spiritual support in art, and happiness in love
Relationships with others	He speaks to peasants as to his equals. He constantly argues with aristocrats	The heroine is free from all sorts of prejudices, has her own opinion, does not seek to prove anything to anyone. She lives by the rules that she likes, while rejecting and indifferently accepting the vulgarity of life	A typical proud aristocrat who looks down on others. It accepts the latest technologies, advances in science and medicine. Although the hero shows admiration for the Russian men, he does not know how to talk to them, he only frowns and sniffs the cologne. To Bazarov is cruel, since he cannot boast of noble origin	Friendly and delicate with all people, regardless of their origin

Characteristics of the characters "Fathers and Sons": a brief description of the characters, quotation table

The plot of the novel "Fathers and Sons" by Turgenev is built around a dispute between the old way of life and new views. The first ones represent two heroes of the work: the landowners brothers Nikolai and Pavel Kirsanov.

Pavel senior. He is a bachelor, retired officer. He has a difficult character - he is used to everyone agreeing with him. His younger brother Nikolai prefers peace in the shadow of his brother.

Pavel's opponent, Evgeny Bazarov, is a friend of his nephew Arkady. Bazarov comes from a poor family, he despises the old order, but just like Pavel Kirsanov, he strives to become an indisputable authority. Arkady Kirsanov can be called a minor character.

Table of characteristics of the characters "Fathers and Sons"?

There are not very many main characters in Fathers and Sons.

First, this is Evgeny Bazarov. A very self-confident young man. Practically revolutionary. I wanted to abolish serfdom, the wealthy began to work. He considered Russian people dark and not particularly intellectually developed. Nihilist.

Secondly, Arkady Kirsanov. He is a friend of Eugene, he is only 23 years old, but he is very guided by his comrade, gentle, at the same time he loves life, his wife and relatives.

Thirdly, N. P Kirsanov is the father of Arkady. Belongs to the older generation. He did not serve because his leg was broken, he is engaged in his landlord affairs, but not very well. Loves children.

Fourth, P. P Kirsanov is the brother of Arkady Kirsanov. Smug, caustic and at the same time dandy, loves high society. From the very beginning, he took a dislike to Evgeny Bazarov.

Fifth, Anna Odintsova is a typical woman of that time. Cold, calculating, but knows how to show tenderness and gentleness when she needs it.

Quotation characteristics of the characters "Fathers and Sons"?

The novel "Fathers and Sons" is one of my favorite works since school, I reread it several times, and each time it is perceived differently. I guess it's about age. When the worldview changes, the attitude towards different characters also changes.

I suggest you familiarize yourself with the characteristics P.P. Kirsanova: in terms of appearance, he is of medium height. Its appearance is graceful and thoroughbred. His face is without wrinkles, and his eyes are light, oblong. He is the son of a general, was brought up at home, then in the Corps of Pages.

Evgeny Bazarov- tall, his face is thin and long, his forehead is wide. The nose is pointed, the eyes are large and greenish. The son of a doctor, he studied at the medical faculty.

Brief characteristics of the characters "Fathers and Sons"?

There are five main characters in Ivan Turgenev's "Fathers and Sons". This is the father and son of the Kirsanovs, the uncle of the family, the friend of the younger Kirsanov Bazarov and the landowner, the neighbor of the Kirsanovs Odintsov.

Senior Kirsanov is a quiet and peaceful person, inclined to compromise. His brother is Pavel, a confident, proud and wayward man, a retired officer.

Arkady is the younger Kirsanov, a spineless young man who easily falls under the influence of Bazarov. Evgeny Bazarov is a nihilist. He is stubborn, does not back down in an argument and has a keen interest in science. Anna Odintsova is a calculating woman who is afraid of strong feelings.

Roman I.S. Turgenev "Fathers and Sons" in tables

1. The idea of the novel

2. Plot and composition

3. Bazarov's theory

4. Major conflicts in the novel

1. The concept of the novel

Notes in England 1860: Bazarov - “... not without cynicism, phrases and real abilities. Nihilist. Self-confident, speaks abruptly and a little, hard-working (a mixture of Dobrolyubov, Pavlov and Preobrazhensky). Lives small, does not want to be a doctor, waiting for an opportunity. He knows how to talk to the people, although in his heart he despises him. He does not have an artistic element and does not recognize ... He knows quite a lot - he is energetic, can be liked by his swagger, in essence, the most sterile subject - for without any enthusiasm and faith ... An independent soul and a proud man of the first hand. " ? I. S. Turgenev in a letter to Sluchevsky on April 14, 1862: "I wanted to make a tragic face out of him - there was no time for tenderness."

Criticism of Kuprin's "duel" story, reviews of contemporary critics

2.Plot and composition

At the center of the story - figure of Bazarov... All plot lines are drawn to him: there is not a single significant episode in the novel in which Bazarov did not participate. Through relationships with heroes, the author reveals the character of Bazarov,

Bazarov
and
Arkady Kirsanov

Pavel Petrovich Kirsanov

Anna Sergeevna Odintsova

Bazarov's parents

Sitnikov and Kukshina

If we arrange all the events that take place in the novel in one row, we get the following pattern:

First circle

Arrival to Maryino (M)
Introduces dissonance to the usual way of life in the Kirsanovs' estate. Bazarov defends his theory of “nihilism”: “... we act by virtue of what we recognize as useful. Negation is most useful at this time - we deny. "

First meeting with Odintsova (O)
Anna Sergeevna Odintsova meets Bazarov on her life's journey, confident that there is and cannot be love. “Let's see what category of mammals this person belongs to”, “… such a rich body, even now in the anatomical theater” - this is how Bazarov says about one of the most beautiful women.

Arrival at the parents' estate (P)
“... I don’t understand why a person lives to such a strange state, when he suddenly has“ nothing to say ”to his father and mother ...” (M. Gorky)

The "watershed" between the first and second circles was the second meeting with Madame Odintsova (Bazarov is staying at her estate). The hero is confused by those feelings that have awakened in his soul, but he does not believe in their possibility. But the longer Yevgeny is visiting Odintsova, the more often they meet, the stronger Bazarov's feelings for Anna Sergeevna turn out to be. It turns out that a person who is confident in the correctness and steadfastness of his convictions “breaks down” at the very first encounter with life. Bazarov emerges from the "test of love" by enriching his soul. Even though the discovery of the ability to love in oneself became painful and difficult for Bazarov, after that he becomes more understandable and humane.

Second circle

Arrival to Maryino (M)
Eugene denied the principles, but he himself could not overstep them and accepted Pavel Petrovich's challenge to a duel. His disregard for the aristocracy turned out to be only words, but in fact he could not rise above the prejudices and beliefs of the aristocrats.

Bazarov calls in to Odintsova (O)
The hero's love was rejected by Anna Sergeevna, she is frightened by the power of feelings that he was capable of: "... You did not understand me ..." - says Odintsova.

Bazarov at parents (R)
Eugene demonstrates his cold attitude towards his parents, is burdened by their care and love, but he cannot hide his affection and tenderness for his old people before his death.

If the first circle helps us to understand the provisions of the theory of nihilism, then the second circle becomes the circle of "debunking" each of Bazarov's denials. And, of course, the most powerful blow to the theory of nihilism and to Bazarov himself is inflicted by love and life itself.

3. Bazarov's theory

Bazarov is a nihilist, he calls himself that. His views and the theory of denial evoke different feelings. Bazarov denies everything:

art
"A decent chemist twenty times more useful than any poet" "Raphael is not worth a dime"

nature as an object of admiration
"Nature is not a temple, but a workshop, and a person is a worker in it"

love
"rubbish"

and even…
Pavel Petrovich is trying to clarify how far the nihilist has gone in his denials. And Bazarov terrifies both senior Kirsanovs with his answer: - We deny - Everything? - Everything. - How? Not only art, poetry ... but also ... it's scary to say ... "That's it," Bazarov repeated with inexpressible calmness. The reader can only guess what is behind this categorical "everything", it is religion, and faith, and even death.

4. Major conflicts in the novel

Fathers and Sons
Theory and life

The most acute clash occurs between Bazarov and Pavel Petrovich Kirsanov.
The main conflict in the novel, it is the hero's conflict with himself.

Bazarov is trying to build his life on the basis of the theory of nihilism, he is sure that life can be subordinated to an invented, "head" theory. You can live without feelings, experiences, love, that is, all that Bazarov disparagingly calls "rubbish."

“The author guides his hero through the book, consistently arranging examinations for him in all spheres of life - friendship, enmity, love, family ties. And Bazarov consistently fails everywhere. " ("The Beetle Formula" P. Weil, A. Genis)

From a letter by I. S. Turgenev to A. A. Fet: “Did I want to curse Bazarov or extol him? I myself do not know, for I do not know whether I love him or hate him! So much for the trend. "

Characteristics of the main characters based on the novel by I. S. Turgenev "Fathers and Sons"

In 1862, Turgenev wrote the novel Fathers and Sons. During this period, the final break between the two social camps is outlined: the liberal and the revolutionary-democratic. In his work, Turgenev showed a man of a new era. This is a common democrat Bazarov.

Throughout almost the entire novel, Bazarov is accompanied by his friend Arkady. By origin, and also by social status, they belong to different social classes. According to his convictions, Bazarov is a "democrat to the end of his nails."

Friends study together at the university, and they have several years of friendship.

At first, Arkady falls under the influence of Bazarov, he wants to be like Eugene, and at the same time he sincerely shares the views of an older and more authoritative comrade. Arkady is forced to join the nihilists by "young courage and young enthusiasm."

note

But he is not guided by Bazarov's ideas in life. They do not become an organic part of him, which is why he will reject them so easily afterwards. Later Bazarov says to Arkady: "Our dust will eat your eyes, our dirt will stain you."

That is, Arkady is not ready for the “tart, bitter, beastly life” of a revolutionary.

Bazarov, assessing the life of a revolutionary, is both right and wrong. Breaking the prevailing foundations, traditions, views always evokes fierce resistance from the old world, and the progressive fighters have a hard time. The revolutionary democratic ideal of happiness is revolutionary activity for the good of the people, despite personal hardships.

Arkady, of course, is not ready for this, since, in the words of Evgeny, he is a “soft liberal barich”. In their "youthful enthusiasm" the liberals go no further than a noble boil, but for Bazarov this is "nothing". Liberals do not “fight”, but “imagine themselves to be fine fellows; the revolutionaries want to fight ”.

In assessing Arkady, Bazarov identifies him with the entire liberal camp. Spoiled by life in a noble estate, Arkady “involuntarily admires himself”, he is pleased to “scold himself”. Bazarov is bored, he “needs to break others”.

Arkady only wanted to seem like a revolutionary, there was a lot of youthful posturing in him, but in his heart he always remained a “liberal barich”.

But Arkady does not yet understand this. For the time being, he considers himself a “fighter” and appreciates Bazarov for his willpower, energy, and ability to work. At the Kirsanovs' estate, Bazarov was initially welcomed. Arkady asks his family to take care of Bazarov.

But the revolutionary democratism of Bazarov absolutely does not fit with the liberal aristocracy of the Kirsanovs' house. He does not fit into their idle life. And here, as a guest, Bazarov continues to work.

The way of life of friends on the estate is expressed by the author's phrase: “Arkady was sybaritic, Bazarov worked.” Bazarov conducts experiments, reads special books, collects collections, treats village peasants. According to Bazarov, work is a necessary condition of life.

Arkady is never shown at work. Here, in the estate, Bazarov's attitude to both nature and the people is also revealed.

Bazarov considers nature not as a temple, but as a workshop, and the person in it as a worker. For Arkady, as for the rest of the Kirsanovs, nature is an object of admiration and contemplation. For Bazarov, this attitude means lordship.

He objects to the prayerful contemplation of nature, meaningless from his point of view of enjoying its beauty. It requires an active attitude to nature, to the surrounding world. Himself. treats nature as a caring owner. Nature pleases him when he sees the fruits of active intervention in it.

And here, too, the points of view of Arkady and Bazarov diverge, although Arkady has not yet talked about this.

The attitude of Bazarov and Arkady to both love and a woman is different. Bazarov is skeptical of love. He says that with a woman only a fool can feel free.

But acquaintance with Madame Odintsova changes his views on love. She makes an impression on Bazarov with her beauty, charm, ability to behave with dignity and tact.

He has a feeling for her when spiritual communication begins between them.

Odintsova is smart, able to understand the originality of Bazarov. Eugene, in spite of outward cynicism, discovers in love both an aesthetic feeling, and high spiritual demands, and respect for his beloved woman. But Odintsova is essentially an epicure lady.

Peace is above all for her. Therefore, she extinguishes the emerging feeling for Bazarov.

And in this situation, Bazarov behaves with dignity, does not become limp and continues to work. The mention of love for Madame Odintsova makes Bazarov confess that he is “broken,” and he does not want to talk about it,

Description of Plushkin's garden in the poem "Dead Souls": the text of the episode, analysis of the image of the garden

Arkady's acquaintance with Katya, Odintsova's younger sister, reveals that his ideal is “closer”, that is, he is in the family, on the estate. Arkady realized that he was “no longer that arrogant boy”, that he had still “set himself tasks that were beyond his power,” that is, Arkady admitted that the life of a revolutionary was not for him. And Katya herself says that Bazarov is “predatory”, and Arkady is “tame”.

Bazarov is close to serfs. For them he is “their brother, not a master”. This is confirmed by Bazarov's speech, in which there are many popular proverbs and sayings, and his simplicity in dealing with ordinary people.

Although in his father's estate the peasants regard Bazarov as a master, in all other episodes of the novel he is more “their own” for the people than any of the Kirsanovs. Arkady remains to a greater extent a master, a master for people.

True, it also happens that some unfamiliar peasant took Bazarov for an eccentric when he wanted to "talk to the people." But this did not happen often.

In addition, Bazarov is demanding, one might even say, too demanding of himself. He tells Arkady that "every person should educate himself."

His commitment to nihilism makes him feel ashamed of natural human feelings. He seeks to suppress their manifestations in himself. Hence Bazarov's somewhat dryness, even in relation to the closest people.

But to Arkady's question whether Bazarov loves his parents, he answers simply and sincerely: “I love, Arkady!”

note

However, it should be noted that Bazarov's parents are hopelessly "behind" their son. They cannot go not only on a level, but also after him. True, this "backwardness" of the old men Bazarovs does not deserve the not quite respectful, and sometimes - and simply disregard - attitude towards them by Enyushka.

How can old people be required to think and act like young people? Is it not thanks to the efforts of his parents that Bazarov gets an education? In this case, Bazarov's maximalism looks very unattractive, Arkady loves his loved ones, but it seems that he is ashamed of this love.

Bazarov gives a well-aimed, exhaustive, but at the same time rather evil characterization of Arkady's father and uncle, to which Arkady objects, but somehow sluggishly. By this, he seems to support the point of view of Bazarov, who believes that a nihilist should not express his feelings.

Arkady flared up only when Bazarov called his uncle an "idiot" behind his back. Perhaps it was at this moment that the first serious crack appeared in the relationship of friends.

It should be noted that Bazarov's nihilism, unfortunately, leads to a denial of the old and the new art. For him, "Raphael is not worth a dime, and they (that is, new artists) are no better than him." He declares that “at forty-four years old it is stupid to play the cello”, but to read Pushkin and in general “is no good at all”.

Bazarov considers art to be a form of profit. For him, “a decent chemist is more useful than any poet,” and art is not capable of changing anything in life. This is the extreme of Bazarov's nihilism. Bazarov emphasizes the importance of scientists for Russia, since in science Russia at that time lagged behind the West.

But Arkady really loves poetry, and he would have read Pushkin if Bazarov had not been around.

Arkady and Bazarov seem to be in opposition to each other; at first this confrontation is completely imperceptible, but gradually, in the course of the development of the action, it intensifies and comes to an open conflict and the rupture of friendly relations.

This reveals one of the aspects of the conflict of the novel, expressed by the method of contrast. Note that in this case it is not “fathers” and “children” that are in conflict, but, so to speak, “children” with “children”.

Thus, the gap between Bazarov and Arkady is inevitable.

Arkady is not ready for the “tart, bitter, beastly life” of a revolutionary. Bazarov and Arkady say goodbye forever. Evgeny breaks up with Arkady without saying a single friendly word to him, and to express them for Bazarov is “romanticism”,

Arkady finds the ideal of family life. Bazarov dies, remaining true to his views. It is before death that the strength of his convictions is tested. Arkady, on the other hand, did not take nihilistic convictions.

He understands that the life of a revolutionary democrat is not for him. Bazarov dies as a nihilist, and Arkady remains a “liberal barich”.

And at the end of the novel, Arkady refuses to remember his former friend at a common table.

Description of the images of secondary characters in the novel "Fathers and Sons"

Pavel Kirsanov acts as the main ideological opponent of Bazarov in the story.

In disputes with him, such traits of the protagonist as intelligence and will, inner independence, hatred of lordship and slavery are revealed, but, on the other hand, his negative qualities are also revealed: rudeness, inability to listen to the opinion of another, a tendency to categorical judgments.

Pavel Petrovich talks about the need to respect authorities - for Bazarov, authorities do not exist. Both of them are categorical in their assessments, confident in their righteousness and are not capable of a reasonable compromise. As a result, both remain lonely, leaving behind neither offspring nor the results of their labor.

Bazarov's nihilistic theory is truly refuted in the novel by the quiet and modest Nikolai Kirsanov. Nikolai Petrovich, with his tact, intelligence, openness to everything beautiful, is opposed to Bazarov, who is hostile towards the whole world, including poetry, love, philosophy, and the beauty of nature.

Nikolai Kirsanov does not participate in the ideological duel of his brother with Bazarov - on the contrary, he tries to soften the severity of the conflict between them. Gentle and warm-hearted, this Turgenev hero evokes sympathy for both the reader and the author of the novel.

If Bazarov dies alone, not having time to realize his extraordinary abilities, without leaving an heir, then Nikolai Petrovich is given to know the warmth of family life, to carry out a connection between generations, to be a true keeper of the spiritual and aesthetic experience of the past.

No matter how hard the “nihilists” try to shake the foundations of life, no matter how they deny eternal values in it, people like Nikolai Petrovich will preserve the healthy foundations of human existence, instill in their children simple and wise concepts of life.

Arkady at first falls under the influence of the extraordinary and strong personality of his friend. Striving to resemble his mentor in everything, he behaves with excessive swagger, tries to look adult and independent: he drinks a lot of wine, unnecessarily stretches his speech, avoids the word "panasha".

The author notes numerous details showing that Arkady's convictions are accidental, superficial and contradict his mentality and upbringing. Bazarov is a man of action who has gone through the school of labor and privation and despises laziness and lordship. Arkady - "sissy", "barich". “... We say goodbye forever ...

you are not created for our bitter, tart, brute life, ”Bazarov will say to Kirsanov Jr. in one of the last chapters of the novel.

Love for Madame Odintsova becomes the main test of the strength of Bazarov's nihilistic views. Odintsov is an aristocrat. In her, as in Pavel Kirsanov, a sense of self-esteem is developed, and therefore she adheres to the routine that she “has established in her house and in life”.

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Protecting and appreciating this routine, Anna does not dare to surrender to the feeling that Eugene first awakened in her. This love becomes the beginning of retaliation against the arrogant Bazarov: it splits the hero's soul into two halves.

From now on, two people live and act in it: one is a convinced opponent of "romantic", lofty feelings, the other is a passionately and soulfully loving person who is faced with the true mystery of deep feelings.

The narrative ends not with the scene of Bazarov's death (the most powerful in the artistic sense), but with a kind of EPILOGUE, in which the writer tells about the further fate of the heroes.

Saying goodbye to them, the author once again expresses his attitude towards them, and in the last lines of the novel sounds a majestic hymn to nature as a symbol of "the eternal beginnings of human life." The epilogue reveals the author's position in relation to the main character and other characters in the novel.

Turgenev contrasts the tragic figure of a "nihilist" not with any heroes, but with "human life, in its broadest sense", "nature in all its beauty."

The plot of the novel by I. S. Turgenev "Fathers and Sons" is contained in its very title.

The involuntary confrontation between the older and younger generations, due to the changing spirit of the times, can be viewed as in a tragic vein (F.M.

Dostoevsky in the novel "Demons"), and in the satirical, humorous. In my opinion, there is more humor in the novel than satire. Satire tends to denounce, while humor is sorry and even sympathetic.

Indeed, should Turgenev be denounced fathers or children? In terms of age, character, lifestyle, the author was a "father" at the time of writing the novel.

He could not help but see that behind the nihilism and egocentrism of youth lies the desire to replace faith with knowledge, and passive hope - with active actions, although he himself did not take a maximalist approach to life.

From this rejection and misunderstanding, the novel "Fathers and Sons" was born. But this is not a categorical denial, but a desire to understand. In this Turgenev is helped by humor and satire.

Turgenev applies this approach to each of his characters, excluding Odintsov.

The novel begins with the scene of the arrival of Arkady and Bazarov in the Maryino estate of the Kirsanovs. Remember how Arkady uses the word "father" for reason and without reason, speaks in a deliberately low voice, tries to behave casually, imitating Bazarov. But he does not succeed, everything looks unnatural, because he remains the same boy he left his native nest.

The Kirsanovs love Pushkin, Bazarov does not understand this poet and poetry in general, because he does not accept poetic ideals. The author is afraid to joke about Bazarov. Red hands, tousled hair, clumsy but confident movements give Bazarov's appearance something bestial.

The beast has the will to act, it has physical strength, it has an instinct, but it has no reason. It is impossible to call a person reasonable if he denies the experience of past generations (“we do not recognize authorities”).

Life played a cruel joke with Bazarov. He who does not believe in love fell in love, but his love was rejected. It is interesting that Bazarov died not on the road, as a representative of the younger generation should have, but in his own home, in the arms of his parents, "old-world landowners."

In the whole novel, generally sad and kind, like everything that Turgenev wrote, there are only two characters worthy of satire: Kukshina and Sitnikov.

Turgenev asks the first one: "Why are you springing?" What does this creature with a small, red nose lack? Why doesn't Kukshina do absolutely nothing to maintain attention and respect to herself? The magazines that no one will ever read are pointlessly gathering dust, the very existence of Kukshina is pointless.

It is no coincidence that Turgenev places next to her such an empty person as Sitnikov; he also takes up the least place in the novel. The innkeeper's son dreams of making the people happy, while taking advantage of the profits from his father's establishments. Such characters are called parodies in literature.

Sitnikov under Bazarov - as Grushnitsky under Pechorin (the same can be said about Kukshina and Odintsova). But if Lermontov used the image of Grushnitsy as a means to reveal the image of Pechorin, then Turgenev uses the negative to give more weight to the positive.

With the help of humorous and satirical moments, the author expresses his attitude towards the characters. In the scene of the dispute and duel between Bazarov and Pavel Petrovich Kirsanov, humor turns into a farce, because “children” should not kill “fathers”, and “fathers” should make “children” think the way they think. Since the problem of "fathers" and "children" is eternal, it is necessary to look at it with humor, as did Turgenev.

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The objective world in the context of the characteristics of the heroes of the novel "Fathers and Sons"

Comparisons play an important role in the language of the novel.

Based on the traditions of oral poetry of the people, Turgenev draws most of the comparisons from the world around a person, for example: “emaciated, rough, as if gnawed, cows greedily nibbled the grass in the ditches”; "We are now hungry like wolves"; “Vaska, a boy of about seven, with a head as white as flax ...”; “Her braid (Princess R.) was golden in color and heavy as gold, fell below her knees”; Fenichka “looked out like an animal”; "Dunyasha ... looked at him, running past with a quail"; "The yard boys ran after the" doctor "like dogs."

With the help of this technique, the author gives a psychological characterization of the characters, including Vasily Ivanovich Bazarov, the father of the main character. The interior of his "house", consisting of "six tiny rooms", suggests that we have a "small" person, obviously not rich, who does not pretend to be significant, loves comfort.

Also, the interior helps to characterize the business qualities of Vasily Ivanovich. Indeed, “a thick-legged table, littered with papers, blackened by old dust,…”, suggests that Vasily Ivanovich is engaged in work, but does it from time to time.

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Bazarov's father is a sloppy person, he doesn't even keep order in his office (“books, boxes, stuffed birds, a can, bubbles were crowded on the shelves in disorder”). The fact that Vasily Ivanovich is interested in natural sciences and physical experiments, says "a broken electric machine", but this hobby has remained in the past, since it has not yet been repaired.

Weapons hung on the walls indicate that the owner was related to the army, to the war. Indeed, he was a military doctor. In general, the entire interior is stamped with time, all the things are second-hand, old, all this speaks of the passing of life, the time of fading and rest. But the owner does not want to put up with it.

Indeed, there is large furniture in the small room, which shows the desire of Bazarov, the elder, to escape from this small world. Here the reader sees the contradictory character of Vasily Ivanovich.

The interior of the office is dominated by black and white colors (“a monogram of hair in a black frame”, “a wardrobe of Karelian birch”), austere and quite compatible, which speaks of the harmony of the owner's inner world. The fact that Vasily Ivanovich reads the magazine "Friend Zdravie" for 1855 (although in the courtyard in 1859) indicates that Bazarov Sr. is trying to keep up with the times, but still he is not in the silts to keep up with the present.

The interior is also used by the author to compare characters. For example, in one of the chapters, the author shows the interior of two characters at once: Fenechka and Pavel Petrovich Kirsanov. The interior of Fenichka's room contrasts sharply with the interior of Pavel Petrovich's study. And indeed, Fenichka's room breathes with prostate, comfort, freshness, love.

The reader understands that simple, but nevertheless sincere people live in this room. The icon of Nikolai the Ugodnik, the portrait of Nikolai Petrovich, jars with his favorite jam and the caption “circlet”, speak of Fenichka's sincere feelings for Nikolai Petrovich.

In contrast to Fenichka's room, Pavel Petrovich's study is striking in its sophistication, monumentality and, at the same time, lack of warmth.

Everything in it bears the stamp of artificiality: the library “renaissance”, and bronze figurines “on a magnificent writing table”, and a fireplace, and “heavy window curtains” with which Pavel Petrovich tries to shield himself from the sunlight. The reader can understand the despair with which Kirsanov Sr. "threw himself on the sofa."

The hero realizes his inability to love and be loved, and the comparison of the interiors helps the reader to understand this. In evaluating the character, the detail of the interior also plays an important role. Turgenev actively uses the details of the interior, the environment of the hero, showing with their help the features of his character.

So, we already have a certain idea of Kukshina, even before her appearance. “A crookedly nailed business card”, “thick numbers of Russian magazines, for the most part uncut” - all this indicates the “progressive aspirations of the hostess”, but essentially no progress is visible.

A great desire to be an advanced woman, to seem modern, makes Kukshina funny, unnatural, devoid of self-esteem, which is immediately noted by both Bazarov and Arkady. However, there are characters in the novel who have no description of the rooms at all. These are, first of all, Bazarov, Arkady and Nikolai Petrovich Kirsanov.

And this is not accidental, if Bazarov does not have a home at all, does not have his own hearth, support in life, he even in his parents' house feels like a guest, then the descriptions of the rooms at Arkady and Nikolai Petrovich are connected, in my opinion, with the worldview of the author himself ... As you know, I.S.

Turgenev rejected extremes, a one-sided attitude to life, which he so clearly showed in the images of Bazarov and Pavel Petrovich.

It is no coincidence that both of these heroes die: one physically, the other morally. It is Nikolai Petrovich and his son who remain to live a full life. And their double wedding is the moral climax of the romance.

According to Turgenev, the harmony of life can be cognized only by dissolving in it, perceiving it in all its manifestations.

The absence of a description of the rooms of the father and son just speaks of this ability, gives them typical features and, albeit indirectly, indicates who, in the author's opinion, belongs to the future of Russia.

The objective world in the context of the characteristics of the heroes of the novel "Fathers and Sons"

The hero of the story is fathers and children. "Fathers and Sons": characters

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About the work

Creation

Genre and number of chapters

Main idea

Heroes of the novel

Plot

Heroes of the work fathers and children

Summary "Fathers and Sons"

Bazarov Evgeny Vasilievich

Vasily Bazarov

Arina Vlasyevna Bazarova

Arkady Nikolaevich Kirsanov

Nikolay Petrovich Kirsanov

Pavel Petrovich Kirsanov

Anna Sergeevna Odintsova

Katia

Kukshina Evdoksiya (Avdotya) Nikitishna

Sitnikov ("Fathers and Sons")

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